1.207 file audio bebas royalti untuk "Frank C. Stanley"

*Five quarter tones on C. Equal-tempered: 25/24:1 = 250 cents. MIDI pitch bend: 0,80 Preceded by:File:Three quarter tones on C.mid

Algerian scale. No pitch bend.

Étude Op. 25, No. 12 — allegro con fuoco.

D. Scarlatti, Sonata K159 C, Veronica van der Knaap, Christchurch, New Zealand

Thirteenth chord inversion with no fifth or ninth and the flatted seventh in the bass. Different voicing for guitar. Created by Hyacinth (talk) 14:10, 7 July 2009 using Sibelius 5.

Dominant eleventh chord in four-part writing.

5-tet scale on C. Pitch bend matches intervals.

Pythagorean diatonic scale on C. + indicates the syntonic comma.

19-tet scale on C (63.16 cent steps). MIDI pitch bend matches intervals.

Thirteenth chord CMA13(sharp11).

7-tone equal tempered scale represented in traditional notation. + and - indicates approximate distance above and below notated pitch. Pitch bend matches intervals.

C Phrygian dominant scale. Created by Hyacinth (talk) 00:37, 5 July 2010 using Sibelius 5.

Descending enigmatic scale on C is distinguished by F♮, a lowered fourth degree.

Diatonic scale in 19-et on C. MIDI pitch bend matches intervals. Steps: 0, 3, 6, 8, 11, 14, 17, and 19. Cents: 0, 189.473684210526315789, 378.947368421052631578, 505.263157894736842105, 694.736842105263157894, 884.210526315789473684, 1073.684210526315789473, and 1200 cents. Created in Sibelius with midi pitch bend on 8 (6) different instruments.

Prelude in C-sharp minor, Op. 3, composed and performed by Sergei Rachmaninoff. This is Edison Diamond Disc 82187-R, Matrix 6742-C-2-3 [2-1]. Recorded in 1919, released in December 1920. Українська: «Прелюдія до-дієз мінор», написана і виконана Сергієм Рахманіновим, випущена в грудні 1920 року.

*Neutral third on C = E. Equal-tempered: 27/24:1 = 350 cents. MIDI pitch bend: 0,80 Preceded by:File:Five quarter tones on C.mid

Hungarian major scale on C

11-tet scale on C. MIDI pitch bend matches intervals.

Oh! Susanna, a song written by Stephen Foster, first published on February 25, 1848. Popularly associated with the California Gold Rush. This version recorded by Henry Burr, Peerless Quartet, and Harry C. Browne, contains spoken dialog in the beginning and the infamous "aggressive racist" verse that is rarely sung today because of its content.

16-tet scale on C (75 cent steps). Easley Blackwood, Jr.'s notation for 16 equal temperament. Intervals are notated similarly to those they approximate and there are fewer enharmonic equivalents. MIDI pitch bend appears to match intervals (0,56, etc.).

Piano Concerto No. 1 in C major, Op. 15, 1st movement – Allegro con brio

21-tet scale on C (57.14 cent steps). Easley Blackwood, Jr.'s notation for 21 equal temperament. Intervals are notated similarly to those they approximate and there are distinct enharmonic equivalents (E-sharp-down = F-down). MIDI pitch bend matches intervals.

A12 4 7 10 on C. Traditional notation: C B♭ E. MIDI pitch bend matches intervals. Other non-octave tunings investigated by Bohlen besides the Bohlen-Pierce scale include twelve steps in the tritave, named A12 by Enrique Moreno [1] and based on the 4:7:10 chord.

Fantasy in c major op. 15, d.760 “Der Wanderer”, 3rd movement, presto.

waltz by Chopin (Op. 64, No. 2). According to the little book in the CD cover the piano is a "Steinway grand". Paderewski was very associated with Steinway, he and William Steinway together created the program called Steinway Artists.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 03 Prelude No. 2 in C minor, BWV 847

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 04 Fugue No. 2 in C minor, BWV 847

Diatonic scale on C in 15 equal temperament. C, D, E↓, F, G, A↓, B↓, C. If C=0: 0, 3, 5, 7, 9, 11, 14, 0. MIDI pitch bend matches intervals.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 03 Prelude No. 2 in C minor, BWV 847

Chromatic fourth in Johann Sebastian Bach's Well-Tempered Clavier (the chromatic fourth is indicated by a red bracket). From Fugue No. 2 in D minor of the second book of Bach's Well-Tempered Clavier (BWV 875). Entered into Finale 2006, with red bracket added in Photoshop. The music this excerpt comes from is public domain. My selection and addition of bracket is GFDL.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 04 Fugue No. 2 in C minor, BWV 847

FREDERIC CHOPIN, THE ETUDES PAN 107 (1810 - 1849) Martha Goldstein, Piano (Erard, 1851) Opus 10 - Twelve Grand Etudes dedicated to Franz Liszt, published 1833 c minor- Allegro con fuoco Supposedly written in Stuttgart shortly after Chopin received news of the taking of Warsaw by the Russians September 8, 1831, this Etude is popularly called The Revolutionary."

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 4th movement

15-tet scale on C (80 cent steps). MIDI pitch bend matches intervals.

17-tet scale on C (70.59 cent steps). MIDI pitch bend matches intervals.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 07 Prelude No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 08 Fugue No. 4 in C-sharp minor, BWV 849

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 05 Prelude No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 07 Prelude No. 4 in C-sharp minor, BWV 849

Prélude en Do dièse mineur de Sergueï Rachmaninov (Morceaux de fantaisie, op. 3) joué par Sergei Rachamninoff lui même

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 06 Fugue No. 3 in C-sharp major, BWV 848

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 08 Fugue No. 4 in C-sharp minor, BWV 849

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 1st movement.

Fantasie in C major, Op. 15 (D. 760) “Der Wanderer”, 2nd movement, adagio

*19th harmonic on C = E19♭. Just: 19:16 = 297.51 cents. Limit: 19-limit. MIDI pitch bend: 26,63

Piano concerto no. 2 in c minor, op. 18 - i. moderato